“Everyone wants to know art. Why not make an effort to be aware of the song of a bird?…people who make an effort to explain pictures are often barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is quite relevant to how we approach abstract paintings. Many people think that abstract paintings should have a specific concept of some type, which could be clearly understood and articulated if only they knew how. This misconception will not be helped through the endless supply of people willing to spout nonsense about what they believe the artist was trying to say. The almost inevitable results of this case is the fact that people either can feel as though these are being excluded from sharing in some secret knowledge, or alternatively conclude that Hand Painted Oil Paintings is in fact all a sham. In any event, the end result is that lots of people usually do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my very own paintings are worried. If I enjoyed a specific message or a meaning that I really could articulate in words, i would articulate it in words – the painting would have no purpose. The complete point of creating an abstract painting is that it embodies a thing that only it can, in a way in which should not be placed into words. It is far from an essay it is a painting – it encompasses and expresses things in a language that is certainly unique towards the medium of paint. For this reason we must not make an effort to ‘understand’ abstract paintings in the manner people sometimes feel they ought in order to.
The viewer must not search for a clear narrative in an abstract painting – it is not planning to tell a tale, or reference an external ‘subject’ in the same manner which a figurative painting will. But that does not mean there is no meaning or no subject, or that abstract paintings cannot contact and move people. When asked about subject material, the Abstract Expressionist artist Jackson Pollock said, “I am the subject”. Pollock’s statement is not only true, it is inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed to the painting in the event the artist approaches the job inside an open and honest way. I do not require another subject or idea before I could create Extra Large Paintings – I simply begin. The fact that I am me with no-one else is why my work different to anyone else’s, and also the same wzjtrs true of all the artists. The colours I select, the marks a make, the accidents I choose to leave, or even to obliterate, they are things which i choose because of who I am just.
Should you present several different artists with similar basic design on a canvas and ask them to get a brush and develop the painting, the variations in the things they would decide to do could be enormous. I have watched other abstract artists at work on paintings and thought “I would personally never in a million years have chosen that colour and set it there.” Not because I think it is wrong or bad, but as they are who they are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are many great styles of painting available, as a result of a rich art history that has seen movement after movement. The term abstract art is frequently used a blanket term to describe non-representational art – which is the deficiency of recognisable subjects. Abstract art was connected to the rise of modernism during the last century, coming into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought regarding the qualities we have seen in abstract art? The flattening from the artist’s canvas surface is certainly one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a means of recording reality, they began seeing the canvas surface being an object in the own right, with the canvas becoming a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its own qualities in accordance with the way it was handled. The paint could exhibit ‘personality’, it had its very own dimensions and opened up a range of different techniques we have seen in artwork from the last century. One of many reasons artists began Hand Painted Oil Paintings in an abstract way was the opportunities for greater creativity. It allowed to get a greater selection of expression and the creation of ideas that were not dependent on representing reality anymore.